Helle Jetzig
WORKS // INFO // BIOGRAPHY // PROJECTS // EXHIBITIONS // COLLECTIONS
WORKS
Helle Jetzig | NY Reloaded (Front St. No 1) D3 | 2016 | Malerei und Siebdruck auf Fotografie | 90 x 60 x 5 cm
Helle Jetzig | Frankfurt FM 22-1 | 2022 | Malerei auf Fotografie | 100 x 150 x 6 cm
Helle Jetzig | Heidelberg 1 | 2019 | Malerei auf Fotografie | 120 x 120 cm
Helle Jetzig | Hamburg A 4 | 2016 | Malerei und Siebdruck auf Fotografie | 60 x 90 cm
Helle Jetzig | Frankfurt FM 22-2 | 2022 | Malerei auf Fotografie | 100 x 125 x 6 cm
Helle Jetzig | Coney Island 22-1 | 2018/2022 | Malerei auf Fotografie | 150 x 100 x 6 cm
Helle Jetzig | Berlin 22-1 | 2022 | Malerei auf Fotografie | 100 x 150 x 6 cm
Helle Jetzig | NY Reloaded ( Indices ) B 4 | 2016 | Malerei und Siebdruck auf Fotografie | 100 x 150 cm
Helle Jetzig | New York Reloaded 21-1 | 2021 | Malerei auf Fotografie | 120 x 90 x 6 cm
Helle Jetzig | New York Reloaded B23 | 2021 | Malerei und Siebdruck auf Fotografie | 100 x 150 x 6 cm
Helle Jetzig | New York Reloaded E13 | 2017 | Malerei und Siebdruck auf Fotografie | 40 x 30 x 6 cm
Helle Jetzig | NY Reloaded F 5 | 2018 | Malerei und Siebdruck auf Fotografie | 180 x 100 cm
Helle Jetzig | NY Reloaded F 6 | 2018 | Malerei und Siebdruck auf Fotografie | 180 x 100 cm
Helle Jetzig | New York Reloaded M1 | 2018 | Malerei und Siebdruck auf Fotografie | 100 x 69 x 6 cm
Helle Jetzig | NY Reloaded M 4 | 2018 | Malerei und Siebdruck auf Fotografie | 97 x 69 x 6 cm
Helle Jetzig | Rome Is Where The Heart Is 1 | 2021 | Malerei auf Fotografie | 150 x 100 x 6 cm
Helle Jetzig | Rome Is Where The Heart Is 2 | 2021 | Malerei auf Fotografie | 100 x 180 cm
Helle Jetzig | Rome Is Where The Heart Is 3 | 2021 | | Malerei auf Fotografie | 100 x 150 cm
Helle Jetzig | Rome Is Where The Heart Is 5 | 2021 | Malerei auf Fotografie | 100 x 125 cm
Helle Jetzig | Sleeping Dog In Istanbul 2 | 2021 | Malerei auf Fotografie | 150 x 100 x 6 cm
Helle Jetzig | Zürich 2020-1 | 2020 | Malerei auf Fotografie | 80 x 180 x 6 cm
Helle Jetzig | Zürich 2020-2 | 2020 | Malerei auf Fotografie | 60 x 200 x 6 cm
Helle Jetzig | Bus Lane 1 | 2012 | Malerei und Siebdruck auf Schwarzweißfotografie | 220 x 120 cm
Helle Jetzig | FM (Time) 6 | 2015 | Malerei und Siebdruck auf Fotografie | 100 x 180 cm
Helle Jetzig | Hard Rock 2 | 2014 | Malerei und Siebdruck auf Fotografie | 125 x 70 cm
Helle Jetzig | NY Reloaded A 1 | 2016 | Malerei und Siebdruck auf Fotografie | 50 x 75 cm
Helle Jetzig | NY Reloaded A 9 | 2016 | Malerei und Siebdruck auf Fotografie | 50 x 75 cm
Helle Jetzig | NY Reloaded B 14 | 2017 | Malerei und Siebdruck auf Fotografie | 100 x 150 cm
Helle Jetzig | New York Reloaded D4 | 2017 | Malerei auf Fotografie | 120 x 95 x 6 cm
Helle Jetzig | NY Reloaded G 1 | 2017 | Malerei und Siebdruck auf Fotografie | 180 x 100 cm
Helle Jetzig | Stars B 1 | 80 x 44 cm
Helle Jetzig | Venice D7 | 2018 | Malerei auf Fotografie | 50 x 120 x 6 cm
Helle Jetzig | Heidelberg 2 | 2019 | Malerei und Siebdruck auf Fotografie | 80 x 120 x 6 cm
Helle Jetzig | Twins 2 | 2018 | Malerei auf Fotografie | 125 x 65 x 6 cm
Helle Jetzig | New York Reloaded B16 | 2017 | Malerei und Siebdruck auf Fotographie | 150 x 100 x 6 cm
ARTISTS
Helle Jetzig
Top View | by Stephanie Hentschel
Skyscrapers, sacred buildings, streets, billboards, bridges, harbors and squares wrapped in bright, almost garish colors, partially covered by dots, figurative picture elements or lettering. Some of the places seem familiar from one’s own travels or visits to cities, and yet the scenery seems foreign. One is inclined to rub one’s eyes in order to better grasp what one sees. But the dots and colors do not disappear, nor do the buildings arrange themselves into their usual view. Nevertheless, our eye tries to immediately grasp what is happening in the image. It is trained to detect linear structures and regularities, to perceive moods and to transfer them into an overall concept.
It is a penetrating play of color and form that awaits us when we look at Helle Jetzig’s works. Beyond the glossy surfaces, it draws us into the picture and offers us new, visual horizons of experience and perception. It seems as if, despite familiar motifs, a completely new and fascinating world opens up before our eyes. Surreal and yet harmonious appears to us the seemingly abstract dialogue of form and color, which Helle Jetzig works out of figurative image sections and captures in various formats on wooden boxes.
Photographs that the artist captures with his camera on many trips form the basis for these expressive and equally technically unique works. Assembled into new structures and free compositions, they are removed from reality. The following painting serves as a purposeful as well as accidental means to create moods and at the same time to experiment with the possibilities and limits of the material. For the viewer, it seems difficult to distinguish what is taken from reality and which elements are created by the artist’s manipulation. The individual components of the picture plane shift into one another, while at the same time the different picture planes seem to melt together in depth.
With the invention of photography in the 19th century and its artistic use, rivalry with painting arose at the same time. A competition between the two arts developed, designed to surpass the other medium in its closeness to reality. The photographers tried to imitate the moods conveyed by painting by choosing special image details, perspectives and forms of lighting. The painters, on the other hand, used the perspective and compositional possibilities of photography as well as the spontaneously chosen image detail, which gave their works the effect of an immediate snapshot.
Similar to many artists of the 19th century, Helle Jetzig uses the possibilities of photography to give free rein to his painterly inspirations and ideas. In no way is there any conflict or competition between the two media. Rather, they enter into a harmonious connection, a unanimous dialogue that creates tension and dynamics in the image construction in an innovative way.
The structural task seems to lie in the photography. The photographs taken on many trips through the metropolises of Europe and the USA serve as source material, as a kind of material for Helle Jetzig’s art. In elaborate steps, individual clippings are assembled into collages in black and white in the artist’s studio, superimposed or optically altered by positive and negative processes. Not least because of today’s wide spectrum of digital processing possibilities, the artist has been given entirely new and exciting means of influencing the image structure and composition.
The compositional perspectives and forms, shadings and lines that result from the photographic motifs themselves, but also from the artist’s manipulation, serve as a foundation on which painting can fully unfold.
Printed as a lamda print rather than on baryta paper, the photographic basis also offers new creative possibilities for painting. Whereas the paper used by Helle Jetzig in the past absorbed the color immediately, the new material prevents the color pigments from being absorbed directly, thus allowing spontaneous blurring and smudging by the artist. This results in unexpected color fields, edges and color accumulations that create spontaneous forms, lines and surfaces in the individual works, which form a striking formal contrast to the constructed collages. Primarily it is the primary colors red, yellow and blue with which the artist paints the photographs.
Here, too, he makes use of the possibilities offered by the new material and allows the colors to run into each other without any specific ideas. Repetition and variation are also among Jetzig’s stylistic devices.
Through forms that the artist takes from the respective image sections and projects them onto the surface of the image by means of screen printing, he creates an optical balance between the individual image layers. Frequently to be found here is the form of the circle or dot, which the artist associates with coordinates. Both in the silkscreen and in the individual image collages, created by the alternation of positive and negative or image incisions, these dots can also be mentally connected to further geometric forms.
The evidenced fascination for the possibilities of experimenting with form and color on the surface is the driving source for the creation of these color-intensive, almost pulsating works. At the same time, however, the fundamental design elements that define the artistic medium of painting can be found here, and which make it clear why Helle Jetzig sees himself primarily as a painter.
The choice of photographic motifs, which are mostly different urban buildings, street canyons and squares, is made purely according to formal criteria. Symmetries, diagonals as well as horizontals and geometric forms resulting from advertising posters, house walls, buildings, street signs or from the arrangement of people seem to be decisive for the inspiration for new image compositions.
The artist titles his latest series Top View. In the same way that his works allow for various directions of view, the designation Top View also allows for different readings and refers not only to the group of works so named, for which Helle Jetzig has chosen the view from above for the first time. The bird’s-eye view opens up a new, surprising field of vision for the viewer. People, architecture, and places are captured from above, thus explicitly relegating the viewer to the role of observer.
The positive and negative constructions, which can be found as recurring pictorial elements in Helle Jetzig’s new works, also create entirely new lighting effects. Like spotlights, they bring certain areas of the composition to the fore and leave others in shadow. In these new works, too, it is a constant alternation of form and color, shadow and light, proximity and distance, surface and three-dimensionality, which transform the figurative basic motifs of the photographs into illusionistic views through expressive-abstract color gradients.
A large part of the artistic result already lies in the elaborate process of creation, the addition of layer upon layer of the individual pictorial elements, from photography to painting and screen printing to the final sealing with various layers of varnish. No completed idea serves as the starting point for his compositions. Rather, the spontaneous process of making leads the artist to the completion of his works.
However, it is not only in the play of form and color that the tension in Helle Jetzig’s works is maintained. The resulting duality between spontaneity and planning, reality and illusion, perception and reality also creates new worlds of experience for the viewer. In keeping with the name Top View, it is the visual view of things that moves the artist and which he tries to convey to the viewer in his paintings.
Starting from motifs taken from everyday cityscapes, the artist creates completely new, seemingly abstract visual worlds through the renewed use of shapes and lines, as well as through the targeted and random use of color, which challenge the eye of the viewer again and again to review his perception and the usual perspective.
BIOGRAPHY
1956
born in Emden
1978 – 84
art studies at the University of Osnabrück
since 1984
freelance artist
2002
included in the Prestel Lexikon der Fotografen, ed. Reinhold Mißelbeck
Helle Jetzig lives and works in Osnabrück, Germany
since 2004
Work on the cycle “The Old World
with stays in
– Haarlem (NL) 2004
– Madrid (E), Milan (I), Paris (F) 2005
– Zurich (CH) 2006
– Barcelona (E) 2008
– Amsterdam (NL) 2009
– Venice (I) 2010
– Istanbul (TR), London (GB) 2013
since 1994
Working stays / Travels in
Germany, Europe and USA
– New York City 1995 and 1996
– Cuba 1996
– USA, New Mexico, Arizona, California 2000
– Taiwan 2000
– USA, New York City 2005 and 2006
PROJECTS
2020
Works for the non-profit project 15² under the auspices of Galerie Schimming at Hamburg schools.
2018
Art calendar 2019, Helle Jetzig – Urban Blues, for Nowecor AG, Quakenbrück.
2015
Conference room BHF Bank Frankfurt M., in collaboration with Galerie Barbara von Stechow.
2010
Offset prints, signed and dated, edition of 250 each, for “gecko”, the support association for the Christian Children’s Hospital Osnabrück
2009/2010
Work for MS Nieuw Amsterdam, Holland America Line, in collaboration with VFD Architectenbureau, Utrecht, and Galerie von Braunbehrens
2006
CD cover and booklet, “Narcotic Views of Life”, The Gogets, Vienna (AT)
2004/2005
Art in the Vitreum, design of the reception area of Eurohypo AG, Eschborn/Frankfurt, in collaboration with Galerie von Braunbehrens
2003
Foyer Signal Iduna, Hamburg, Kapstadtring 8, as part of an art concept by Galerie Peter Borchardt
EXHIBITIONS
SOLO EXHIBITIONS
2020s
2022
distance & identity, Galerie Barbara von Stechow, Frankfurt
Robert Koepke Haus, Schieder-Schwalenberg, From the distance. Weltsichten von Thomas Heger und Helle Jetzig
2021
Galerie von Braunbehrens, Stuttgart, Sehnsuchtsorte (mit Verena Guther)
2010s
2019
Kunstverein Bad Salzdetfurth, Stiftung Kunstgebäude Schlosshof Bodenburg, Kurator Hans-Oiseau Kalkmann, TIME
Galerie Signum Winfried Heid, Heidelberg, realities 3.0
Christian Marx Galerie, Düsseldorf, Urban Structures 2.0
Kunstförderverein Weinheim e.V., Weinheim, GroßstadtMenschen, mit Otto Beer
2018
Galerie Oben Kathrin Lahl, Chemnitz, NY Reloaded
2017
Galerie Barbara von Stechow, Frankfurt M., mit Walter Schembs
Galerie von Braunbehrens, Stuttgart, realities 2.0
2016
Galerie Borchardt, Hamburg, Invenzioni Capricciose
2015
KunstSalon Villa Najork, Dependance der LS LandskronSchneidzik Galerie, Leipzig, Verfremdungen, mit Dieter Kränzlein
Köppe Contemporary, Berlin, Real Life
LS LandskronSchneidzik Galerie, Nürnberg, Verfremdungen mit Dieter Kränzlein
Galerie Barbara von Stechow, Frankfurt M., Dreams Of Nowhere
2014
Galerie Schmalfuss, Berlin
2013
Galerie Barbara von Stechow, Frankfurt M., Top View
Galerie Borchardt, Hamburg, romantic 2.0
2012
Matthias Küper Galleries, Stuttgart, Recent Works
Galerie schwarz I weiss, Osnabrück, romantic 2.0 (mit Stefan Kaluza)
2011
Galerie von Braunbehrens, München, True enough!
Galerie Barbara von Stechow, Frankfurt M., True enough!
Galería Alonso Vidal, Barcelona (E), UNREAL
2010
Galerie Borchardt, Hamburg, BAROCCO
2000s
2009
Galerie von Braunbehrens, München, Wahrnehmung und Wirklichkeit
Galerie Barbara von Stechow, Frankfurt M., Wahrnehmung und Wirklichkeit
2008
Galeria Alonso Vidal, Barcelona (E), Realities
Lausberg Contemporary, Toronto (CDN), Realities
4. Triennale der Photographie / Galerie Peter Borchardt
2007
Kunsthalle Dominikanerkirche, Osnabrück, Realities
Dirigo Contemporary Gallery, Kapstadt, Südafrika, Helle Jetzig 2004 – 2007
Galerie Peter Borchardt, Hamburg, Realities
Galerie Barbara von Stechow, Frankfurt, Level Dancing
2006
Kashya Hildebrand Gallery, New York (USA), Realities
Galerie Kashya Hildebrand, Zürich (CH), Realities
Galerie von Braunbehrens, München, Works 2004-2006
2005
Kunsthalle Arnstadt, Arnstadt
Galerie Peter Borchardt, Hamburg, Both Sides Now
2004
Galerie von Braunbehrens, München, Works 1999-2004
Galerie Wild, Frankfurt, Realities
Stadtgalerie Osnabrück, Identity (mit Tessa Verder)
2003
Galerie von Braunbehrens, München, Marks
Galerie Peter Borchardt, Hamburg, Earthbound
Galerie Michael W. Schmalfuss, Marburg, Paris meets Berlin …
Kunstverein Bayreuth, Urban Structures
2002
Galerie Blickensdorff, Berlin, Urban Structures
Triennale der Photographie / Galerie Peter Borchardt, Hamburg, Global City
Nds. Lottostiftung, Galerie „Vom Zufall und vom Glück“, Hannover
Galeria Berini, Barcelona (E), I Love NY
2001
Galeria Berini, Barcelona (E), Uncertain Places III
Galerie Peter Borchardt, Hamburg, You Are Here Now
Galerie Wild, Frankfurt
2000
Galerie Tammen & Busch, Berlin, Falschwelt
Kunstverein Rotenburg/W., Visible World
1990s
1999
Galerie Wild, Frankfurt
Galerie Peter Borchardt, Hamburg, Uncertain Places II
1998
Galerie Peter Borchardt, Hamburg, A Question Of Time
Galerie Wild, Frankfurt
Foto Forum St.Gallen (CH), Uncertain Places
1997
Emsdettener Kunstverein
1996
Stadtgalerie Altena, Five Rooms / Fünf Räume
Galerie Ahlers, Göttingen, Neue Arbeiten
Meppener Kunstkreis, Seven Seconds New York
Kunstverein Siegen, Seven Seconds New York (Part II)
Kunstverein Heidenheim, Rooms
1995
Galerie Wild, Frankfurt
Stadtgalerie Osnabrück, New Paintings
1994
Galerie Ahlers, Göttingen
1993
Galerie David, Bielefeld
Städt. Ausstellungshalle Hawerkamp, Münster
Galerie Wild, Frankfurt
1991
Kunsthalle Dominikanerkirche, Osnabrück
Künstlerhaus Sunderweg, Dortmund (mit Gerda Schlembach)
1990
Große GildewART Galerie, Osnabrück
GROUP EXHIBITIONS
2021
Kunstgebäude im Schlosshof Bodenburg, „…mischen, damit Neues entsteht!“
2020
Städt. Museum Schloss Salder, Salzgitter, 30 Jahre Salon
Galerie von Braunbehrens, Stuttgart, 5 Jahre Galerie von Braunbehrens
Kunsthalle Messmer, Riegel/Kaiserstuhl, Venedig – Faszination und Mythos
2019
Christian Marx Galerie, Düsseldorf, Masterpieces
2018
Galerie Oben, Chemnitz, Sommerausstellung 45 Jahre Galerie Oben
Accrochage, Galerie von Braunbehrens, Stuttgart
2017
Städtische Galerie im Fruchtkasten des Klosters Ochsenhausen, Venedig in der Kunst
Kunstverein Bad Salzdetfurth, Wünschelrutengänge im Reiche des Wassers
2016
Galerie Friedmann-Hahn, Berlin, KUNSTESSENZEN XIV – BERLIN BERLIN!
Galería Alonso Vidal, Barcelona (E), La Colección
Galerie Reitz, Köln, COSMOPOLITAN CITIES
2015
Galerie von Braunbehrens, Stuttgart, Auftakt in Stuttgart
TOP.OS e.V., Hasestr. 29/30, Osnabrück, Natur Formen
Galerie KunstGenuss, Osnabrück, Osnabrück hängt auf
2013
Kunstverein Bad Salzdetfurth, …gestiftet – geschenkt – geliehen
2012
Kulturgeschichtliches Museum Osnabrück, Faces
Galerie von Braunbehrens. München, New Media Reloaded
Galerie Matthias Küper, Stuttgart, Blickwinkel 2012
2011
Galerie S, Kunstverein & Sparkasse Siegen, 25 Jahre Galerie S
Künstlerverein Walkmühle e.V., Wiesbaden, motiv: architektur
2010
Städt. Museum Schloß Salder, Salzgitter, 20 Jahre SALON SALDER 2010
Galerie Barbara von Stechow, Frankfurt M., Rückblick 2010
2009
Galerie Barbara von Stechow, Frankfurt M., Rückschau 09
Galerie Peter Borchardt, Hamburg, BANDE
2008
Museo Arte Contemporáneo de Madrid (E), Artistas y Fotógrafos – Imágenes para una colleción
Galerie von Braunbehrens, München, 1978-2008: 30 Jahre Galerie von Braunbehrens
Galerie Skala, Köln, In Memoriam Reinhold Mißelbeck zum 60. Geburtstag
2006
Siegerlandmuseum und Kunstverein Siegen: Kunstsammlung der Sparkasse Siegen, Die Sammlung Galerie S
Vonderbank Artgalleries Berlin, Figure & Space
Galerie Peter Borchardt, Hamburg, Acchrochage
Kunsthalle Dominikanerkirche, Osnabrück, Arte Regionale IV – Wahlverwandtschaften
2005
Galerie Kashya Hildebrand, Gstaad (CH), Winter Show
Galerie Kashya Hildebrand, Genf (CH), Reflections
Galerie Kashya Hildebrand, Zürich (CH), Solaris
2004
Sala Estudi General, Universitat de València (E),essències 8,Colleciò Olor Visual Ernesto Ventós
Kunsthalle St.Annen, Lübeck, Kunst nach 1945
2003
Stadtgalerie Enschede (NL), Querschnitt II
Kunstverein Bad Salzdetfurth, Wie ein Fisch im Wasser
Emsdettener Kunstverein, Was ist geblieben?
Kunsthalle Dominikanerkirche, Osnabrück, arte regionale III
2002
Kunstverein Villa Streccius, Landau/Pfalz, Bildräume
Kunsthalle der Europäischen KunstakademieTrier, spektrum kunstlandschaft
Städt. Museum Schloss Salder, Salzgitter, Salon Salder
Neuer Sächsischer Kunstverein, Dresden, Die Blaue Stunde
2001
Museo Municipal de Arte Contemporáneo, Madrid (E), Madrid Contemporáneo, Adquisiciones 1999-2001
Kunsthalle Dominikanerkirche, Osnabrück, 2 X 2/Intersections
Kunsthalle Darmstadt, spektrum kunstlandschaft
Galerie Blickensdorff, Berlin, Strange Reality
2000
Plan B Evolving Arts, Santa Fe, NM (USA), 2 X 2/Intersections
1999
Städt. Museum Schloß Salder, Salzgitter, Salon Salder
Kunsthalle Dominikanerkirche, Osnabrück, Arte Regionale II
1998
Amerika Haus Frankfurt/M., Looking at America
1997
Kulturbahnhof Eller, Düsseldorf, Industrie/Ansichten
1996
Kunsthalle Dominikanerkirche, Osnabrück, arte regionale
1995
Kreissparkasse Esslingen, Photographie-Malerei
1993
Kunstcentrum Marktzeventien, Enschede (NL), Ontmoeting
1992
Zentrales Haus der Künstler, Moskau (GUS), Zeichen
1991
Kunstpalast, Düsseldorf, Große Kunstausstellung NRW 1991
1987
Boterhal, Hoorn (NL), Kriemhilds Rache
1986
Salles des Jeunes, Angers (F), 4e Salon de la Jeune Peinture
1985
Schloß Charlottenburg, Berlin, Hochkultur im Tiefenrausch
1984
Kunsthalle Dominikanerkirche, Osnabrück, und Landeshaus, Münster, 12
FAIRS
2022
KunstZürich, Galerie Barbara von Stechow
2019
art Karlsruhe / Galerie Reitz, Galerie Barbara von Stechow
2018
Luxembourg ART FAIR / Galerie Reitz
Kunst Zürich (CH) / Galerie Barbara von Stechow
Kölner Liste / Galerie Reitz
art Karlsruhe / Galerie Barbara von Stechow
2017
Kunst Zürich (CH) / Galerie Barbara von Stechow
Rotterdam Contemporary Artfair (NL) / Galerie von Braunbehrens
art Karlsruhe / Galerie Oben Kathrin Lahl
2016
Kunst Zürich (CH) / Galerie von Braunbehrens, Galerie Barbara von Stechow
Context Art Miami (USA) / Galerie Barbara von Stechow
Art Pier 94 New York (USA) / Galerie Barbara von Stechow
art Karlsruhe / Galerie Barbara von Stechow
2015
POSITIONS Berlin Art Fair / Köppe Contemporary
Kunst Zürich (CH) / Galerie Barbara von Stechow
Art Karlsruhe / Galerie Barbara von Stechow
2014
Kunst Zürich (CH) / Galerie Barbara von Stechow
Art Fair Köln / Galerie Barbara von Stechow
art Karlsruhe / Galerie Barbara von Stechow
2013
Art.Fair Köln / Galerie Barbara von Stechow
Kunst Zürich (CH) / Galerie Barbara von Stechow, Galerie von Braunbehrens
Scope Basel (CH) / Galerie Van Der Planken
Art & Antique Wiesbaden / Galerie Barbara von Stechow
SCOPE New York (USA) / Galerie Van der Planken
art Karlsruhe / Galerie Barbara von Stechow
2012
ART.FAIR Köln / Galerie Barbara von Stechow
Kunst Zürich (CH) / Galerie von Braunbehrens, Galerie Barbara von Stechow
ROOM ART FAIR, Madrid (E) / Galería Alonso Vidal
Art & Antique Wiesbaden / Galerie Barbara von Stechow
art Karlsruhe / Galerie Barbara von Stechow
2011
Art.Fair Köln / Galerie von Braunbehrens, Galerie Barbara von Stechow
Kunst Zürich (CH) / Galerie Barbara von Stechow, Galerie von Braunbehrens
Arte Lisboa (PT) / Galeria Alonso Vidal
st-art, Strasbourg (F) / Galeria Alonso Vidal
Art Miami (USA) / Galerie von Braunbehrens
SCOPE New York (USA) / Galerie von Braunbehrens
the solo project, Basel (CH) / Galerie Barbara von Stechow
art madrid (ES) / Galería Alonso Vidal
art KARLSRUHE / Galerie Barbara von Stechow
2010
Art Miami (USA) / Galerie von Braunbehrens
Arte Lisboa (PT) / Galería Alonso Vidal
Kunst Zürich (CH) / Galerie von Braunbehrens, Galerie Barbara von Stechow
art.fair Köln / Galerie von Braunbehrens, Galerie Barbara von Stechow
KIAF Seoul (KR) / Galerie von Braunbehrens
selection artfair Basel (CH) / Galerie Leonhard Rüthmüller
viennafair Wien (AT) / Galerie von Braunbehrens
Art Karlsruhe / Galerie Barbara von Stechow
CIRCA Puerto Rico ’10 / Galerie von Braunbehrens
ART MADRID, Madrid (ES) / Galería Alonso Vidal
SCOPE, New York (USA) / Galerie von Braunbehrens
2009
KIAF, Seoul (KR) / Galerie von Braunbehrens
Art Miami, Miami FL (US) / Lausberg Contemporary, Galerie von Braunbehrens
KUNST Zürich, Zürich (CH) / Galerie von Braunbehrens
Art Toronto, Toronto (CA) / Lausberg Contemporary
art.fair Köln / Galerie von Braunbehrens, Galerie Barbara von Stechow
Arte Lisboa (PT) / Galería Alonso Vidal
Viennafair, Wien (AT) / Galerie von Braunbehrens
Art Chicago, Chicago IL (US) / Galerie Barbara von Stechow
Art Karlsruhe / Galerie Barbara von Stechow
ART MADRID, Madrid (ES) / Galería Alonso Vidal
palmbeach3, West Palm Beach, FL (US) / Galerie Barbara von Stechow, Lausberg Contemporary
2008
ART MIAMI, Miami, FL (US) / Galerie Barbara von Stechow
art selection moscow, Moskau (RU) / Galerie Barbara von Stechow
Kunst-Messe München / Galerie von Braunbehrens
Arte Lisboa, Lissabon (PT) / Galería Alonso Vidal
KUNST Zürich (CH) / Galerie von Braunbehrens, Galerie Peter Borchardt
art.fair 21, Köln / Galerie Barbara von Stechow, Galerie von Braunbehrens
TIAF, Toronto (CA) / Lausberg Contemporary
KIAF, Seoul (KR) / Galerie von Braunbehrens
fiart Valéncia (ES) / Galería Alonso Vidal
Arte Santander (ES) / Galería Alonso Vidal
Art Santa Fe (US) / Lausberg Contemporary
palmbeach3, Palm Beach (US) / Galerie Barbara von Stechow
Art Karlsruhe / Galerie Barbara von Stechow
2007
Art Karlsruhe / Galerie Peter Borchardt, Galerie von Braunbehrens
KIAF Seoul (KR) / Galerie von Braunbehrens
Cornice Art Fair, Venedig (IT) / Galerie von Braunbehrens
Art.Fair, Köln / Galerie von Braunbehrens
Fine Art Cologne, Köln / Galerie Barbara von Stechow
Kunst Zürich (CH) / Galerie Peter Borchardt, Galerie von Braunbehrens
2006
palmbeach3, Palm Beach (US) / Galerie von Braunbehrens
KIAF Seoul (KR) / Galerie von Braunbehrens
Cologne Fine Art, Köln / Galerie Peter Borchardt
MiArt, Mailand (IT) / Galerie Kashya Hildebrand
Art Amsterdam (NL) / Galerie Jorg Hasenbach
2005
KunstKöln / Galerie Peter Borchardt
Art Karlsruhe / Galerie Peter Borchardt, Galerie von Braunbehrens
Art Frankfurt / Galerie Peter Borchardt, Galerie von Braunbehrens
KIAF Seoul (KR) / Galerie von Braunbehrens
art.fair Köln / Galerie von Braunbehrens
Kunst Zürich (CH) / Galerie von Braunbehrens
PAN Amsterdam (NL) / Galerie Jorg Hasenbach
2004
Art Frankfurt / Galerie von Braunbehrens – One Artist Show
KunstKöln / Galerie Peter Borchardt
Art Frankfurt / Galerie Peter Borchardt
Art Cologne / Galerie von Braunbehrens
Art Fair, Köln / Galerie Wild
Kunst Wien (AT)/ Galerie Peter Borchardt
Kunst Zürich (CH) / Galerie von Braunbehrens
2003
Art Frankfurt / Galerie von Braunbehrens – One-Artist-Show
European Art Expo, Düsseldorf / Galerie Peter Borchardt– One Artist Show
ARCO Madrid (ES) / Galerie von Braunbehrens
Arte Fiera Bologna (IT) / Galerie von Braunbehrens
KunstKöln / Galerie Peter Borchardt
Art Frankfurt / Galerie Peter Borchardt
Art Cologne / Galerie von Braunbehrens
2002
Stockholm Art Fair (SE) / Galerie Blickensdorff – One Artist Show
Art Miami (US) / Galerie Peter Borchardt
ARCO Madrid (ES) / Galeria Berini
KunstKöln / Galerie Peter Borchardt
Kunst Zürich (CH) / Galerie Wild
Art Frankfurt / Galerie Peter Borchardt
2001
KunstKöln / Galerie Peter Borchardt – One Artist Show
ARCO Madrid (ES) / Galeria Berini
2000
KunstKöln / Galerie Peter Borchardt – One Artist Show
Art Frankfurt / Galerie Wild
Kunst Zürich (CH) / Galerie Wild
1999
Düsseldorf Kunstmarkt / Galerie Peter Borchardt – One Artist Show
Art Frankfurt / Galerie Wild
Kunst Zürich (CH) / Galerie Wild
1998
Art Frankfurt / Galerie Wild
Kunst Zürich (CH) / Galerie Wild
1997
Art Cologne / Galerie Wild
Kunst Zürich (CH) / Galerie Wild
Art Frankfurt / Galerie Wild
1996
Art Frankfurt / Galerie Wild – One Artist Show
Art Cologne / Galerie Wild, Galerie Ahlers
1995
Art Frankfurt / Galerie Wild
1994
Art Frankfurt / Galerie Wild
COLLECTIONS
ADAC, München
Architektenkammer Niedersachsen, Hannover
Ars Vivendi Art Consulting OHG, Düsseldorf
Axa Colonia, Köln
Johann Bros Produktion, Kattowice (P)
BMW Niederlassung Frankfurt
Commerzbank, Frankfurt
Cosinus Grundbesitzverwaltung GbR, Baldham
Dresdner Bank, Frankfurt
Echterhage Holding, Neuenrade
EuroHypo AG, Eschborn
Fiege, Worms
Georgieff Capital Management GmbH, Königstein
GFKL Leasing Holding, Köln
Goldmann Sachs, Frankfurt
Helvetia, Zürich (CH)
Heraeus Holding, Hanau
Holland America Line Antillen NV, MS Nieuw Amsterdam
Ifco Systems, München
Immobilien Tempelmann, Dorsten
IP-Industrielle Pharmazie GmbH, Stromberg
Jamestown US-Immobilien GmbH, Köln
Karmann, Osnabrück
Knight Trading GmbH, Bad Soden
Kunsthalle Dominikanerkirche, Osnabrück
Kutzenberger & Wolff, Patentanwälte, Köln
Lehnkering AG, Duisburg
Lichtkunst Licht GmbH, Bonn
Morgan Stanley, Frankfurt
Morgan Stanley, Zürich (CH)
Nils Holger Moormann, Aschau i. Chiemgau
Museo Municipal de Arte Contemporáneo de Madrid (E)
Nowecor AG, Quakenbrück
Oldenburgische Landesbank, Oldenburg
Phönix AG, Zürich (CH)
Postministerium, Bonn
Quantum AG, Hamburg
C H Reynolds Corporate Finance AG, Frankfurt
Signal Iduna, Hamburg
Signum bei Jette Joop Design, Hamburg
Sparkasse Osnabrück
Sparkasse Siegen
Städtisches Museum Schloss Salder, Salzgitter
Taxxus GmbH, Hamburg
Techem, Frankfurt
Colleció Olor Visual Ernesto Ventós, „essències“, Barcelona (E)
VGH, Emden
VGH, Osnabrück
Wallrich Asset Management AG, Frankfurt
Dr. Weigert, Hamburg
Winkhaus, Münster